When I reviewed the premiere for LUPIN THE 3rd PART 5, I said I was disappointed to see that the franchise looked like it was sinking back into the slurry of mediocrity that characterized the late ‘90s and 2000s, interested only in updating the aesthetic sheen without tackling any of the franchise’s extremely outdated ideas (the movies, meanwhile, took all of the grimdark edge and none of the feminist themes from The Woman Called Fujiko Mine). Episode 2 seems to confirm those fears, making a joke out of marginalized fans rather than trying to sincerely include them.
I got together with Caitlin and Dee to talk about one of my favorite anime of all time. You may remember it from the considerablenumber of essays I’ve dedicated to it over the years. And if you haven’t checked it out yet, I can’t recommend it enough (though be mindful of some pretty strong content warnings including torture, child abuse and sexual assault).
Yuri!!! On ICE might’ve been one of the best things about 2016. I know that’s is a low bar, but roll with me. It engaged viewers inside and outside anime fandom alike, it offered one of the most positive portrayals of a queer relationship I’ve ever seen in anime, and – most importantly – it’s offered me a chance to talk about Sayo Yamamoto, a director whose works have until now struggled to gain attention despite their high quality.
We arrive now at part two, centering on those actors whose work goes unappreciated, maybe more so for the fact that they’re surrounded by talented fellow actors. But that only makes it all the more a shame that their contributions go unsung.
The rampant success of Lupin III Part IV (or “Blue Jacket,” colloquially) seems to have stirred new interest in the franchise. Which means a fair number of poor souls who try to take things chronologically – an admirable feat up until one inevitably runs up against Red Jacket, the character’s most famous outing. I’ve seen a lot of earnest souls crash and burn trying to binge those 155 episodes, unaware that three years of content that premiered weekly come hell or high water means a veritable rollercoaster of quality. When Red is good, it’s some of the best stuff the franchise has to offer. And when it is bad, it makes you regret setting out in the first place.
The nice part is that the series’ total lack of continuity makes it easy to cherry pick sample episodes, a flavor for people who want to get a sense of anime history and a solid foundation for anyone who wants to eventually make the deep dive. So let me give you my top ten – not anything like an objective list, because that is a fool’s errand with that kind of backlog, but a way to share the love and decrease the daunting factor at least a little bit (don’t worry, I’m here to help you out with Green Jacket too).
And for those who’re curious, yes you should absolutely try the dub when it’s available. The translation’s loose as can be, particularly in the early going, but often in a wonderfully self-deprecating way and backed up by a truly wonderful cast. Nothing’s going to replace the original (and you’ll end up watching both, since only half the show was dubbed), but it’s a treat.
Note: For ease of search, these are listed in airing order rather than ranked. I’ve also tried to include as many of the relevant eight million title translations as possible.