You might’ve noticed I’m a bit of a Cronenberg nerd. So here’s me geeking out about what I’d easily call one of his top five.
Over the past month I got together for maybe the best podcast series Anime Feminist has put out so far–certainly the one I’m proudest of, and I say that having been proud to stand behind all the podcasts I’ve been part of for the site. My cohosts had fantastic insight into the series as women and enbies of color–it’s well worth listening for the discussion of police brutality, Brazil’s favelas, colorism, and double-standards re: WOC and sexuality.
I got to geek out about Sayo Yamamoto and Atsuko the magnificent disaster lesbian in between listening to the great discussion.
It’s been a while since I saw a movie whose conceit would literally fall apart if it acknowledged queer and trans people existed.
When I reviewed the premiere for LUPIN THE 3rd PART 5, I said I was disappointed to see that the franchise looked like it was sinking back into the slurry of mediocrity that characterized the late ‘90s and 2000s, interested only in updating the aesthetic sheen without tackling any of the franchise’s extremely outdated ideas (the movies, meanwhile, took all of the grimdark edge and none of the feminist themes from The Woman Called Fujiko Mine). Episode 2 seems to confirm those fears, making a joke out of marginalized fans rather than trying to sincerely include them.