We left off at a dire moment for Our Hero: the inevitable had at last come to pass, and Lestat’s first love Nicolas had immolated himself (with more than a touch of help from Armand). We return you now to that moment as things continue to get worse. Way worse, because we have to finally contend with The Worst Character in the flesh.
As of 2017, we now officially have two series about sentient queer rocks. But while there have been too many variants on “Land of the Lustrous is anime Steven Universe” to count, the similarities more or less end with the basic premise. LoL’s rocks are not small gems with manifested forms made of light, but actual bodies made out of rock whose ability to take a hit is influenced by the Moh’s Hardness Scale; and while both touch on the issues of societies mired in stasis, their worldbuilding is wholly different. And finally, both series were in production in 2012, making it a true coincidence at least on a conceptual level.
A group of children all meet and decide to play together. One kid takes it upon himself to assign everyone roles, and the other kids agree to it—Tim’s the best at coming up with interesting stories. So one little boy becomes a knight, and a little girl the princess, and another boy a dragon; Tim watched a fantasy movie a few weeks ago, and the ideas are in his head when he makes up his story. They have a good time.
One day, the little girl shows up with a super rad toy mecha. Everyone is very admiring of it, and they get back to playing pretend. At some point, Tim declares that the princess has to give the hero (him) her Mega Holy Ultra Robot so that he can defeat the bad guy. It’s the only thing with enough power. He gets to play with the robot for the rest of the day.
Hypotheticals are something of a cheap trick, I know—they inevitable reduce complicated situations to brief sketches that fail to fully take complex situations into account—but in this case, I thought it might help illuminate an issue that many find difficult to pin down. In spite of the free and frequent use of the word “meta” in internet discourse (usually for fourth-wall breaks or format experimentation), meta-criticism as it relates to narrative is often excluded from common understanding.
And just so we’re not speaking entirely in abstract terms, let’s also talk about a perfectly imperfect series that’s been dear to my heart this season: Land of the Lustrous.
Despite this being the most famous lesbian vampire movie, it’s the least gay of the three vampire movies we watched (it’s also above using the word “vampire,” so…).
It’s back! This is probably the strongest run of the show–Miaka is active, the romantic plot tumor is minimal, and the ensemble dynamic is good (Nuriko still deserves better).
More detailed show notes are over at Anime Feminist