Sometimes you just have to sit back and recognize that the Count is exceptionally gifted at trolling.
But where did the brains come from
No series taught me more, at the tender age of nine, about war, death, trauma, loss, and excruciating body horror than Animorphs. I can comfortably say that KA Applegate’s children’s novels are irrevocably stamped all over my tastes as an adult (frankly it’s a short skip and a jump to Cronenberg’s The Fly remake with its gruesome and poignant thematic exploration of terminal illness, so much so that Applegate referenced it in the books). And thanks to Megan and Carey, the fine hosts of the Morph Club podcast, I’ve had a great opportunity to revisit that beginning.
Dear PPG 2016, this is how you do references.
Last week we talked about The Witch, a decidedly strange and mostly effective film that inhabits that wonderful horror subgenre known as “everything’s a metaphor.” But as much as that film defied analysis by modern standards, against all odds demanding to be taken by its own internal logic, its best feature was undoubtedly its skill in creating tension from the mundane.
So, taking The Witch (and its stand-alone essay) as our fifth number, let’s take a look at some other films that effectively captured that elusive quality: a bubble of existence whose logic is its own, a careful structure waiting to fall apart; or a time capsule that, whether we know its context or not, demands that we invest fully in the stakes at hand.