Sorry, readers; I’ve been spinning a lot of plates as of late between recording and editing podcasts, doing week to week posts like this one, and working on projects that haven’t quite made it to air yet (in addition to an upcoming month of real-world concerns that are going to take up a lot of time and effort). In the meantime, I wanted to make sure you at least had SOME content, even if it’s crossover stuff.
Another season of premieres watched and reviewed! Now that we’ve gone through every premiere, it’s time to line ’em up next to each other and see how they compare.
Which shows do you review?
We don’t review shows that are sequels, shorts, or for young children. Anything not licensed and immediately available is off the table as well (lookin’ at you, Netflix titles). This left 26 eligible premieres in 22 days.
How do you write the reviews?
This time Vrai tackled the majority of the premiere reviews (like a rock star) with assistance from Dee and Amelia. We don’t always like or dislike the same shows, or to the same extent, but we respect and support one another’s positions and critiques.
It’s that time again! I’m usually the least up-to-date person on the AniFem team, but I still had some favorites that I wanted to write up.
Now that we’ve knocked out the Summer 2017 premieres, it’s time to take a fond look back at our favorites from last season. We talked about three kinds of recommendations:
Feminist-friendly favorite (you would recommend it to a feminist friend with no caveats)
Problematic favorite (you would only recommend it to a feminist friend with caveats)
Surprise favorite (you expected it to have caveats, but actually would recommend it without)
We’re organizing things a little differently this time around. Rather than have people pick three favorites and wind up with repeat write-ups (a bunch of us really liked My Hero Academia and The Royal Tutor, okay), we had everyone list the shows they’d want to recommend to our AniFam and then divvied up the write-ups among the staff. The series are organized alphabetically below, along with the staff members who named it as a “favorite” and a brief review.
I watched so much anime over the last two weeks, readers. More than I think I’ve ever tackled during the start of a new season. You may recall that I reviewed a handful of titles for Anime Feminist during the Spring season. That handful rocketed up to a whopping seventeen titles, running the gamut from pretty awesome to huffing the fumes of existential despair.
I’m including bite-sized impressions here, and links if you want to check out the full coverage. Happy reading!
Nobody seems to know what to make of KADO: The Right Answer, and that includes the production team. Like the anisotropic, KADO’s dimension beyond our own universe, the show contained multitudes: it was a deliberately paced political thriller one minute and a twist-laden character drama the next; its visuals shifted between traditional 2D animation and CG, the latter of which ranged from downright stunning to “average ATLUS game;” and while it was just sort of okay sci-fi, it eventually revealed itself to be way more engaging as a gender-equal harem show.
I finished my rewatch-and-reviewof Gravity Falls a few weeks ago, a project over a year in the making. To my shock and delight, Alex Hirsch himself reached out with compliments, and even offered to give an interview! The results are here before you.
Read on to hear about Gravity Falls merch, post-canon Pacifica, and a statement on what exactly happened with the censorship of “The Love God.”
Spoiler warning for Gravity Falls, as well as supplemental material.